Jules Dupré (1811 - 1889)
Jules Dupré was born in Nantes on April 5, 1811. His father was a porcelain manufacturer in Parmain – a small village on the shores of the Oise -- and by 1822 Jules was working in the factory decorating plates. In his spare time he painted simple landscape studies from nature and finally traveled to Paris to study with Jean-Michel Diebolt – the landscape and animal painter. In the late 1820’s his father was appointed director of the Coussac porcelain factory near Limoges and Jules took this opportunity to sketch and paint landscapes in this region.
His “View of the Fields near Southampton,” in 1835, had won him congratulations from all the golden youth of the Romantic school, and the friendship of Decamps, Jardin, Eugene Devéria, and Eugene Delacroix, who indeed, was never tired of seeing and studying this picture.
René Ménard wrote in the March 1873 issue of Gazette des Beaux-Arts that:
Jules Dupré became, almost from his début, one of the favorites in public opinion; his farms, his cottages, his old oaks on the boarders of pools with cows ruminating about, his plentiful pastures where horses run with flowing manes, his mills which profile their silhouettes on a stormy sky, have a simple and truthful side which captivates all the world. The precocity of his success only developed his activity; he is always at work, and gives himself up to incessant production, although he appears but rarely at our expositions … One may have more or less sympathy with the works of Rousseau or with those of Dupré, but these two masters will remain incontestably as the two grandest colorists in landscape which the contemporaneous school has produced.
It was also during this time that he met, and became friends with, Theodore Rousseau. There friendship would last through the 1840’s and the two not only traveled together throughout the French countryside in search of new subject matter, but also shared a studio where they worked, side by side.
Jules Claretie, a relative of Dupré, made the following comments about the artist and his relationship with Rousseau in The Magazine of Art: [even at the height of his career, he would carry] his young friend’s pictures from one to another, showing them off, praising them and making three several efforts to have one of Rousseau’s landscapes exhibited at the Salon. He even induced him to leave his attic room in the Rue Taitbout, and took a studio for him, where the two painters, working side by side, produced not a few pictures which will count to the credit of the modern French school.
In 1849 Dupré was awarded the Legion of Honor and by 1852 he stopped exhibiting at the Salon. At a special exhibition that took place in Paris in 1860, Dupré sent a number of works to be displayed. Théophile Gautier reviewed the exhibit and made these comments:
This exposition is to Jules Dupré a sort of dazzling début, although his fame is already old. For a long time, we know not why, this great artist has sent nothing to the Salon; and if he works, it is in the solitude and silence of the studio. The young generation, who did not see the splendid putting forth of art which followed the revolution of July, is astonished before the pictures of Jules Dupré, by this boldness, this zeal, and this brilliancy. We are no more accustomed to these superb extremes, to this excess of strength, to this overflowing power, to these full-faced struggles with nature. This excessive scale dazzles the eyes habituated to the sober regime of gray.
By the mid 1860’s he began to spend most of the summer months in the coastal town of Cayeux-sur-Mer – painting marine and shore line landscapes. In the late 1860’s Millet joined him during his summer sojourns and in the early 1870’s Courbet could also be found painting in this area.
It was not until 1867 when Dupré began to, once again, submit works to the Salon and it was at this exhibit where the artist was awarded a second-class medal.